But there’s a catch for Turner Construction: Several artists are currently squatting in the building, and they aren’t the only ones haunting the once-grand halls of the historic theater so.
#Last curtain call movie movie
Tadlock uses some gimmicky cinematic tricks to put us in Mason’s shoes, but it rarely works to instill empathy for such an unlikable character. The Last Curtain Call Mel Turner can’t resist the chance to bring the Crockett Theatre, a decrepit San Francisco Art Deco movie palace, back to life. Hollis-Franks’ characters don’t feel like real people facing tough choices instead, they’re flimsily constructed fictions who can’t make the audience care in the 90 minutes they are on screen. An aspiring rock star finally gets his big break in the music industry after having neglected everyone he loves and is now trying to make up for lost time. The record industry is finally recognizing the talent of his band, but the timing is wrong as Mason tries to fix the mess he’s made of his life while he still has time.ĭirected by Jennifer Tadlock and written by Jon Hollis-Franks, “Last Curtain Call” demonstrates a lot of love for music, but it doesn’t devote the necessary attention to much else in Mason’s life. While still dealing with the death of his mother (Judy Maleki) and an ailing, aging father (David Proval), Mason becomes concerned about his own mortality when he is diagnosed with dementia. Mason (Christopher Maleki) is a hard-living hard rocker, who has spent more time trying to make it as a middle-aged musician than he has with his teenage son, Noah (August Roads). “Last Curtain Call” may lament the emptiness of its protagonist’s hedonistic and selfish lifestyle, but the film itself offers few pleasures with its poor pacing and cliched script. An aspiring rock star finally gets his big break in the music industry after having neglected everyone he loves and is now trying to make up for lost time. This indie music drama desperately wants its viewers to come away with a sense of what matters in life.
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